Sofitel Mauritius · L'Imperial Resort & Spa
Sky-to-suite resort fly-through in a single unbroken move.
CINELYFT — FPV Drone Cinematography & RED Komodo Cinelifter, based in Germany, flying worldwide
Cinematic FPV — from sub-250g cinewhoops to a RED Komodo cinelifter. One pilot, every angle, anywhere.
- 0
- Drones in fleet
- 6K
- RED Komodo raw
- 0%
- In-house grade
What I fly for
01 Cinelifter · RED Komodo
02 Film & Commercial
03 Real Estate
04 Automotive
05 Events & Weddings
06 Long Range
From a 2-inch whoop threading a staircase to a cinelifter hauling a cinema camera over a coastline — the right airframe for the shot, not the other way around.
The Fleet
Seven airframes,
zero compromise
Each build is tuned for a specific job — size, payload and range matched to the shot you need.
9"Cinelifter
QAV Pro Cinelifter
Best for
Commercials & cinema
Carries the RED Komodo 6K and full cinema glass on a heavy-lift FPV platform — the dynamic, dramatic shot a gimbal drone can't get.
Book this rig
7"Cinelifter whoop
RRFPV Rhino
Best for
Safe heavy-lift near people
Ducted, prop-guarded cinelifter whoop — cinema payloads gliding safely around guests and tight indoor spaces.
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7"X8 Heavy-lift
Holybro Kopis X8
Best for
Mirrorless in wind
Eight motors of redundancy and stability for mirrorless payloads — holds the frame in wind and tight tolerances.
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7"Long range
GepRC MOZ7 V2
Best for
Landscape & distance
Efficient long-range cruiser for sweeping terrain, coastlines and mountain dives kilometres deep.
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5"Freestyle
iFlight Nazgul Evoque V3
Best for
Freestyle & chase
Punchy, agile all-rounder for freestyle, proximity flying and high-speed chase sequences.
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3.5"Cinewhoop
GepRC Cinelog 35 V2
Best for
Indoor & proximity
Ducted, prop-guarded smoothness for safe indoor fly-throughs and close-proximity moves around people.
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2"Sub-250g
BetaFPV Pavo 20 Pro II
Best for
Tightest interiors
Tiny, light and licence-friendly sub-250g — threads stairwells, doorways and the tightest indoor spaces.
Book this rigSelected Work
Frames in motion
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Sofitel
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Ruby Rooftop
Hotel Ruby Rooftop
Signature zoom-out revealing the rooftop bar and skyline.
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Mauritius
Mauritius Beach
Coastline cruise over turquoise water and white sand.
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LBBW
LBBW Architecture
Tight proximity pass along the LBBW tower's glass facade.
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Open Air
HouseArrest Open Air
Open-air festival energy captured from above the crowd.
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Leki x Majesty
Leki x Majesty Ski
Alpine chase — color-graded backcountry ski action.
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Night
House Arrest · Night
Club lights, fast lines and close passes after dark.
The Pilot
Hi, I'm Oggi
FPV pilot based in Germany, flying wherever the shot lives — from a sub-250g whoop in a stairwell to a RED Komodo cinelifter over the coast. I handle the whole pipeline: planning, piloting and the in-house grade.
Currently flying a RED Komodo cinelifter
Good to know
Questions, answered
What is an FPV drone — and why not just use a DJI?
FPV (first-person view) drones are flown manually through goggles. That unlocks dynamic, fast, close-proximity shots — diving down a facade, threading a window, chasing a car — that a stabilized gimbal drone physically can't do. I fly a full fleet from 2" indoor whoops to a 9" cinelifter, so the airframe always matches the shot.
What is a cinelifter?
A heavy-lift FPV drone built to carry a real cinema camera. My flagship rig flies the RED Komodo 6K with cinema glass — cinema-grade raw footage with the energy of FPV flight, for commercials, film and high-end productions.
Where do you fly?
Based in Germany, flying worldwide. Recent productions span Germany, Mauritius and the Alps. Travel is quoted per project.
What does an FPV shoot cost?
It depends on the rig (sub-250g whoop up to the RED Komodo cinelifter), location, duration and post-production. Send me the project details — you'll get a tailored quote, usually within 24 hours.
Are you licensed and insured?
Yes — flights run under the applicable EU drone regulations (EASA) with the required certificates and drone liability insurance. Permits and location clearances are part of the production planning.
Do you handle editing and color grading too?
Yes. The whole pipeline stays in-house: shot planning, piloting and the grade — you receive ready-to-use cinematic footage.
Let's fly
Ready to get
lyfted?
Tell me about the shot. I'll come back with the right airframe, a timeline and a quote — usually within 24 hours.